Adela Cathcart, Volume 3 by MacDonald, George, 1824-1905
|
A word from our supporters: File extension PL | It was full high moon, and the light so clear that, notwithstanding the brightness of the fire, each window seemed to lie in ghostly shimmer on the floor. Not a breath of wind was abroad. The whole country being covered with snow, the air was filled with a snowy light. On one side rose the high roof of another part of the house, on which the snow was lying thick and smooth, undisturbed save by the footprints, visible in the moon, of a large black cat, which had now paused in the middle of it, and was looking round suspiciously towards the source of the light which had surprised him in his midnight walk. "Now," said Harry, returning to his seat, and putting on an air of confidence to conceal the lack of it, "let any one who has nerves retire at once, both for his own sake and that of the company! This is just such a night as I wanted to read my story in--snow--stillness--moonlight outside, and nothing but firelight inside. Mind, Ralph, you keep up the fire, for the room will be more ready to get cold now the coverings are off the windows.--You will say at once if you feel it cold, Miss Cathcart?" Adela promised; and Harry, who had his manuscript gummed together in a continuous roll, so that he might not have to turn over any leaves, began at once: "THE CRUEL PAINTER."Among the young men assembled at the University of Prague, in the year 159--, was one called Karl von Wolkenlicht. A somewhat careless student, he yet held a fair position in the estimation of both professors and men, because he could hardly look at a proposition without understanding it. Where such proposition, however, had to do with anything relating to the deeper insights of the nature, he was quite content that, for him, it should remain a proposition; which, however, he laid up in one of his mental cabinets, and was ready to reproduce at a moment's notice. This mental agility was more than matched by the corresponding corporeal excellence, and both aided in producing results in which his remarkable strength was equally apparent. In all games depending upon the combination of muscle and skill, he had scarce rivalry enough to keep him in practice. His strength, however, was embodied in such a softness of muscular outline, such a rare Greek-like style of beauty, and associated with such a gentleness of manner and behaviour, that, partly from the truth of the resemblance, partly from the absurdity of the contrast, he was known throughout the university by the diminutive of the feminine form of his name, and was always called Lottchen. "'I say, Lottchen,' said one of his fellow-students, called Richter, across the table in a wine-cellar they were in the habit of frequenting, 'do you know, Heinrich Hoellenrachen here says that he saw this morning, with mortal eyes, whom do you think?--Lilith.' "'Adam's first wife?' asked Lottchen, with an attempt at carelessness, while his face flushed like a maiden's. "'None of your chaff!'said Richter. 'Your face is honester than your tongue, and confesses what you cannot deny, that you would give your chance of salvation--a small one to be sure, but all you've got--for one peep at Lilith. Wouldn't you now, Lottchen?' |



